PanicLord
28 Mar 2010, 22:07
After the mediocrity (to be gushingly over the top) of the review below,
http://tvnz.co.nz/entertainment-news/future-music-meat-loaf-3402836,
I thought I'd post a review of Total Eclipse Of The Heart that I think is one of the best reviews I've ever read, even though the writer obviously doesn't like the song.
It's from Jim Steinman's blog, and I include his intro and outro. No copyright infringement intended - just a damn good read :lol:
From a gr8 book, THE 100 MOST DEPRESSING SONGS EVER WRITTEN! I Came in at #2!!!! YAY!!!!!!! *depression!* YAY! Ill do it here verbatim:
Total Eclipse Of The Heart
Performed by Bonnie Tyler
Released 1983 (No 1 in the UK and US)
Written by Jim Steinman
Every now and then I get a little bit cranky 'bout a song that hangs with me like a malignant boil. Every now and then I get a little bit down when I have to listen to it 20 times in an hour. Every now and then I get a little bit tempted to throw myself in front of a bus. Every now and then I get a little bit injured when the bus grinds me into the pavement …
Don't worry, I haven't lost my mind. I'm simply rephrasing the numbskull lyrics to Bonnie Tyler's depressing 1984 hit 'Total Eclipse Of The Heart' to voice my dread at having to revisit this monstrous gestalt song. After 20 years, it still vanquishes the will of all those who dare turn around to gaze into its bright eyes. Though not the most depressing song ever written, 'Total Eclipse Of The Heart' is, hands down, the most demented and we can thank Jim Steinman for unleashing it upon us.
Even if no one gets offed in the lyrics, there's still more than enough death in 'Total Eclipse' to make it a Perfect Storm, if only because it seems to have killed Bonnie Tyler's career. The Welsh singer was pretty big a few decades back, starting with her first hit single 'It's A Heartache' in 1977. Her trademark was a raspy singing voice that sounded like she gargled with Ajax. After the success of 'It's A Heartache', though, Tyler's follow-up singles didn't chart well and she went in search of a new collaborator to prepare her for the 1980s. She wound up partnering with Jim Steinman, the songwriter behind Meat Loaf's infamous Bat Out Of Hell album which has to date sold 30 million copies worldwide. His reputation as a composer of twisted pop anthems outfitted with hari kari lyrics somehow appealed to Tyler and she was eager to work with him. The result was the schizoid transatlantic chart topper 'Total Eclipse Of The Heart'. If you cross Brian Wilson with Bram Stoker and add more voices in the head, you'd have this song.
The Song
The opening piano of 'Total Eclipse' sounds the clarion call for all of Steinman's winged succubi to assemble. Bonnie Tyler, swathed in druid clothing while sandpapering her larynx, awaits the master's cue. He is hunched over a Steinway inside the darkened ballroom of a crumbling antebellum mansion (they're always antebellum), playing his Lizzie-Borden-at-rest intro while a raven perches on his shoulder. 'Turn arrouuuuund', a boy soprano with shrivelled genitalia sings with ethereal ease. This is Bonnie's cue: 'Every now and then I get a little bit lonely …'. As the music creeps along like a ghost with a hangover, we find out that 'every now and then' Bonnie Tyler gets a little bit 'lonely' , a little bit 'tired', a little bit 'nervous' and a little bit 'terrified'. And let's not forget a little bit 'restless', 'helpless' and 'angry'. Basically, she's a little bit nuts. She's everything a guy would want in a woman. (Did you know she listens to the sound of her tears?)
This leads her to fall apart 'every now and then', although I suspect it's more often than that. And why shouldn't she? She's been handed so many neurotic verses, she sounds like she's quoting the collected works of Sybil. The constant repetition of 'every now and then I get a little bit …' goes beyond maddening and you wonder if Steinman's neurons were misfiring when he wrote the lyrics.
Eventually, someone bribes Steinman to get on with it and bring in a chorus. Bonnie Tyler ups her rasp, declaring 'I need you now to-night! And I need you more than ever! …'. That may be, but after hearing how angry, nervous and terrified she gets 'every now and then', the guy probably bolted like a gazelle. The more the song goes on, the more frenzied it gets. Tyler literally screams how 'we're living in a powder keg' that's about to be ignited, howling with such conviction I suspect Steinman was dangling a live rat in front of her. When the histrionics subside, Tyler laments how there used to be light in her life, 'but now there's only love in the dark'. It is, she sings with consummate weirdness, 'a total eclipse of the heart'.
Right when you think this song is over, the Rasputin Effect comes into play and resurrects it. An overblown instrumental passage that sounds like Steinman's scoring an oil tanker disaster pounds forth until Tyler begins reciting even more 'every now and then …' mantras. Finally, she turns her voice into Angus Young's amplifier and shreds her way through the chorus again. A choir of voices (human optional) back her up as she makes her final futile wail about how 'forever's gonna start tonight …!' The volcano crescendo ends after half the session musicians drop dead and Steinman's deranged piano carries the bodies away. 'Total Eclipse' doesn't really end as much as become extinct. The fade alone lasts 45 seconds, pushing the song's running time past the seven-minute mark.
Why It's Depressing
There are few songs, depressing and otherwise, as exhausting as 'Total Eclipse'. Listening to it is like an opera company bludgeoning you with copies of Anne Rice novels. The song is Steinman's 'Ring Cycle' without the funny hats, a perverse attempt at neo-Romantic gothic bombast being sung by a woman trying out out-growl Kim Carnes. 'Total Eclipse' begins creepy, turns disturbing and ends up totally psychotic. You're completely drained when it's over and desperately in need of a shower so you can rinse off the raven droppings.
Bonnie Tyler never repeated the success of 'Total Eclipse Of The Heart' ('Holding Out For A Hero' doesn't count) and her album sales languished. It's as if she sold her soul for a chance to live in the mad world of Jim Steinman just to see what it was like. Though she climbed a mountain with 'Total Eclipse', it cursed her with a song that today is all but banned from Adult Contemporary radio. You're more likely to hear that The Beatles are reuniting than a station play 'Total Eclipse Of The Heart'. Turn around, bright eyes. And look at the mess you left.
How can I not love "like an opera compoany bludgeoning you with copies of Anne Rice novels. The RING CYCLE without the funny hats"
Now that's how to write a review of something you don't like!
http://tvnz.co.nz/entertainment-news/future-music-meat-loaf-3402836,
I thought I'd post a review of Total Eclipse Of The Heart that I think is one of the best reviews I've ever read, even though the writer obviously doesn't like the song.
It's from Jim Steinman's blog, and I include his intro and outro. No copyright infringement intended - just a damn good read :lol:
From a gr8 book, THE 100 MOST DEPRESSING SONGS EVER WRITTEN! I Came in at #2!!!! YAY!!!!!!! *depression!* YAY! Ill do it here verbatim:
Total Eclipse Of The Heart
Performed by Bonnie Tyler
Released 1983 (No 1 in the UK and US)
Written by Jim Steinman
Every now and then I get a little bit cranky 'bout a song that hangs with me like a malignant boil. Every now and then I get a little bit down when I have to listen to it 20 times in an hour. Every now and then I get a little bit tempted to throw myself in front of a bus. Every now and then I get a little bit injured when the bus grinds me into the pavement …
Don't worry, I haven't lost my mind. I'm simply rephrasing the numbskull lyrics to Bonnie Tyler's depressing 1984 hit 'Total Eclipse Of The Heart' to voice my dread at having to revisit this monstrous gestalt song. After 20 years, it still vanquishes the will of all those who dare turn around to gaze into its bright eyes. Though not the most depressing song ever written, 'Total Eclipse Of The Heart' is, hands down, the most demented and we can thank Jim Steinman for unleashing it upon us.
Even if no one gets offed in the lyrics, there's still more than enough death in 'Total Eclipse' to make it a Perfect Storm, if only because it seems to have killed Bonnie Tyler's career. The Welsh singer was pretty big a few decades back, starting with her first hit single 'It's A Heartache' in 1977. Her trademark was a raspy singing voice that sounded like she gargled with Ajax. After the success of 'It's A Heartache', though, Tyler's follow-up singles didn't chart well and she went in search of a new collaborator to prepare her for the 1980s. She wound up partnering with Jim Steinman, the songwriter behind Meat Loaf's infamous Bat Out Of Hell album which has to date sold 30 million copies worldwide. His reputation as a composer of twisted pop anthems outfitted with hari kari lyrics somehow appealed to Tyler and she was eager to work with him. The result was the schizoid transatlantic chart topper 'Total Eclipse Of The Heart'. If you cross Brian Wilson with Bram Stoker and add more voices in the head, you'd have this song.
The Song
The opening piano of 'Total Eclipse' sounds the clarion call for all of Steinman's winged succubi to assemble. Bonnie Tyler, swathed in druid clothing while sandpapering her larynx, awaits the master's cue. He is hunched over a Steinway inside the darkened ballroom of a crumbling antebellum mansion (they're always antebellum), playing his Lizzie-Borden-at-rest intro while a raven perches on his shoulder. 'Turn arrouuuuund', a boy soprano with shrivelled genitalia sings with ethereal ease. This is Bonnie's cue: 'Every now and then I get a little bit lonely …'. As the music creeps along like a ghost with a hangover, we find out that 'every now and then' Bonnie Tyler gets a little bit 'lonely' , a little bit 'tired', a little bit 'nervous' and a little bit 'terrified'. And let's not forget a little bit 'restless', 'helpless' and 'angry'. Basically, she's a little bit nuts. She's everything a guy would want in a woman. (Did you know she listens to the sound of her tears?)
This leads her to fall apart 'every now and then', although I suspect it's more often than that. And why shouldn't she? She's been handed so many neurotic verses, she sounds like she's quoting the collected works of Sybil. The constant repetition of 'every now and then I get a little bit …' goes beyond maddening and you wonder if Steinman's neurons were misfiring when he wrote the lyrics.
Eventually, someone bribes Steinman to get on with it and bring in a chorus. Bonnie Tyler ups her rasp, declaring 'I need you now to-night! And I need you more than ever! …'. That may be, but after hearing how angry, nervous and terrified she gets 'every now and then', the guy probably bolted like a gazelle. The more the song goes on, the more frenzied it gets. Tyler literally screams how 'we're living in a powder keg' that's about to be ignited, howling with such conviction I suspect Steinman was dangling a live rat in front of her. When the histrionics subside, Tyler laments how there used to be light in her life, 'but now there's only love in the dark'. It is, she sings with consummate weirdness, 'a total eclipse of the heart'.
Right when you think this song is over, the Rasputin Effect comes into play and resurrects it. An overblown instrumental passage that sounds like Steinman's scoring an oil tanker disaster pounds forth until Tyler begins reciting even more 'every now and then …' mantras. Finally, she turns her voice into Angus Young's amplifier and shreds her way through the chorus again. A choir of voices (human optional) back her up as she makes her final futile wail about how 'forever's gonna start tonight …!' The volcano crescendo ends after half the session musicians drop dead and Steinman's deranged piano carries the bodies away. 'Total Eclipse' doesn't really end as much as become extinct. The fade alone lasts 45 seconds, pushing the song's running time past the seven-minute mark.
Why It's Depressing
There are few songs, depressing and otherwise, as exhausting as 'Total Eclipse'. Listening to it is like an opera company bludgeoning you with copies of Anne Rice novels. The song is Steinman's 'Ring Cycle' without the funny hats, a perverse attempt at neo-Romantic gothic bombast being sung by a woman trying out out-growl Kim Carnes. 'Total Eclipse' begins creepy, turns disturbing and ends up totally psychotic. You're completely drained when it's over and desperately in need of a shower so you can rinse off the raven droppings.
Bonnie Tyler never repeated the success of 'Total Eclipse Of The Heart' ('Holding Out For A Hero' doesn't count) and her album sales languished. It's as if she sold her soul for a chance to live in the mad world of Jim Steinman just to see what it was like. Though she climbed a mountain with 'Total Eclipse', it cursed her with a song that today is all but banned from Adult Contemporary radio. You're more likely to hear that The Beatles are reuniting than a station play 'Total Eclipse Of The Heart'. Turn around, bright eyes. And look at the mess you left.
How can I not love "like an opera compoany bludgeoning you with copies of Anne Rice novels. The RING CYCLE without the funny hats"
Now that's how to write a review of something you don't like!