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Old 02 Nov 2006, 21:03   #43
mszee
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Join Date: 28.03.2006
Location:  And you think you're down under???
Posts: 26,252
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Quote:
Originally Posted by THE FLYING MOUSE View Post
If you don't think, you'll never find your own meaning to songs.


Back yo the vid, i've just been having thoughts on the matter.


First idea was that it would show a busy city.

Rush hour.

People rushing round the streets.

Then, to tie the image to the metophore, the crowd of people could turn into a crowd of pigs for a second, then change back into people.


Then I had a second idea, that I MUCH prefare.

Same sort of idea, people rushing about, but you can see their reflections in shop/car windows, mirrors, and even drinking glasses, and the reflections are those of pigs.

Don't know if this particular little snippit would work outside England, but imagine a guy in a pub, he starts to take a good healthy swig of his pint.

The camera looks at the bottom of the glass (from the inside) and the reflection at the bottom of the glass in a pigs face drinking the beer from the glass

For the butchers, you could have a board room for instance.

Very clean, very tidy.

At the head of the table is a man making a presentation to all the other buisnessmen sitting around the table.

The man standing is wearing an impossibly smart blue double brested suit.

On the wall of the boardroom there is a mirror, and the reflection of the boardroom is shown as a very dark room, with chains hanging from the ceiling.

it's a frightening room from a nightmare.

The highly polished mahogany table is substituted to a rough thick, basic but functional work table.

Around this table, the men in buisness suits are transformed to fat, scary, dirty looking men in blood caked aprons.

As the speaker says something they approve of, the butchers show appreciation by hamering the table with the handles of their long knives.

As the camera pans round back into the "real world" the buisnessmen are shown sitting in their smart suits polietly aplauding.




If the people ain't gonna get the metophore, make it easy for them
And the Oscar for the best screenplay goes to...

No, seriously...this is VERY good...LOVE it...
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