05 Nov 2012, 21:33 | #26 |
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If you pay for the album once you can listen to it anywhere and form.
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05 Nov 2012, 22:06 | #27 | |
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The libraries all over the US who subscribe to Freegal, must pay a hefty fee in order to provide the service to its library patrons. If there was anything immmoral about it at all, a public entity, such a a library, certainly would not be allowed to provide it. As I said before, Sony Music is a sponsor of it, so they obviously don't have a problem with it. And any other music company who allows the work of their artists to be provided, doesn't have a problem with it either. |
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06 Nov 2012, 06:42 | #28 | |
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06 Nov 2012, 15:59 | #29 | |
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Big labels can afford to build it into their business model, indie labels can't and they're the ones who bring all the diversity out there. But now even the larger indie's are starting to play the numbers game. No proffessional company in the industry likes peer to peer or streaming services, a huge survey recently compiled showed overwhelming contempt for these companies but feel unable to compete at the moment. The industry is scrambling to try to find a way to get rid of these sites, but the popularity of these sites is forcing the industry to act in a way it feels uncomfortable with right now |
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06 Nov 2012, 16:00 | #30 |
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07 Nov 2012, 22:45 | #31 |
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There is a school of thought that says Indie labels have been replaced by self-production (not a realistic option in the past) and social media promotion.
It is an interesting debate because there is a criminality issue here and then there is social and technological flux; potentially which renders traditional industry structures redundant. I'm all for the protection of copyright and intellectual property, but how much of your argument (djfierce) is to do with this specific issue of legality and how much to seeing your own corner of the market shrinking through technically legitimate means - ostensibly a technically "protectionist" argument ? Challenges from new technology and business structures is a vital component of the free market after all. (Sorry, playing Devil's advocate a bit with this one but would appreciate your response!) Last edited by ricgough; 07 Nov 2012 at 23:00. |
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08 Nov 2012, 00:13 | #32 |
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Really? I never knew that!
I wonder how many people still burn music CDs though? I just put everything on my pc mp3 player and phone. Car manufacturers are looking at not providing CD players any more also. Perhaps this is why an mp3 track can cost over £1... they add in some money to cover lost income from piracy and copyright theft? |
08 Nov 2012, 09:27 | #33 | |
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(Also, downloading copyrighted material, even from an illegal source, still remains legal in over here.) |
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10 Nov 2012, 22:42 | #34 | |
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11 Nov 2012, 00:10 | #35 | |
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There have been so few self released artists to actually 'make it' that many really don't see it as a viable option still. The 'you can do it yourself' hype is taken up by artists at first because they believe they can, usually because they see someone doing well who is self published. But look deeper and you will always find they are funded and produced by an indie label on some level and sometimes even by a large label, why? Because the i did it myself in my bedroom story sells, because people like to think all the money they spend goes to the artist,almost always it does not. Just checking the release code against the bpi or prs tells you exactly who has a stake in that production, its usually a label of some description whether a full discreet deal, a production or just a promotion and distribution deal, there is a proffessional body fueling their success. I'm not saying there aren't any self released artists, there are lots, its easier than ever to release your own music. The difficult part is paying for recording, mixing and mastering time. The costs of distribution (which are still there albeit smaller than before) and the knowledge time and contacts to effectively promote. Many radio stations, festivals, events, even internet bloggers and vendors will not deal with unsigned artists. I must point out there are some that will only deal with unsigned artists too but not enough to level it for unsigned. The market isn't shrinking, in fact it's growing,those are official figures, people are consuming music much more than they ever did, what's shrinking is the revenue. Studio time is cheaper, meaning if i work as a producer only for a band, i probably get paid less for the 16hr day than an average person does for 8, it's a passion, no one on this side of the mic gets into this business for the money i can tell you that for sure lol. When i started working i said many times i just want to make enough money to afford to keep doing it. I don't need to defend my corner of the market because i can happily tell you every person i produce and release have all previously hired me on producer only work, so why do they come to me when they can do it themselves? The most simple answer i can give you is that they found out the truth behind the self release option, a band i have just released are doing very well now having come back to me after a year and a half. I produced them a year and a half ago, they paid me for my time and went off to self release and promote their new album convinced they could do it. They tried for over a year before coming back to sign up to me on a promote and release deal. So what did they get? They got instant attention to their music and website, they got their music played in places they never could before, they got gigs they couldn't get before, access to film companies who produced top notch music videos for them. The long and short of it is, that even though it took them a year, they realised they couldn't just put a track out there and wait for their facebook friends and twitter followers to buy it amongst other things. They realised there were places they just couldnt penetrate or have the knowledge how to use effectively. The market has evolved in a big way, that just means labels have to make sure there is a reason for artists to use them. The attitude has shifted in a big way, indie labels in particular see working with an artist as a partnership much more than the artist works for them attitude. My posts are obviously business related as it's the environment i work in but mostly as a music fan and consumer based on how i like to consume music, i use sites like Last FM and Reverbnation but more for the use of finding artists i never heard of rather than the artist i like, i still buy music because on a moral level i believe its right, and i know first hand how hard it is for artists unsigned or on indies to move into a position of doing what they love on a regular basis. I apologise for the long ass post, and i hope it makes sense but i'm typing during my break here at the studio lol |
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11 Nov 2012, 06:26 | #36 |
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I don't generally pay for music because I don't want to.
I'd rather spend my money on stuff that I can't get for free. Like concerts, tshirts, trips to shows outside of my city. I'm sick of trying to justify it. Hey recording artists: I'm not gonna pay for your music (that much) anymore. My money is still there, get it through other means if you're clever enough. And if I like you enough, I MAY buy your CD to show some additional support. Not the other way around. Last edited by Evil Ernie; 11 Nov 2012 at 06:38. |
11 Nov 2012, 12:23 | #37 | |
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11 Nov 2012, 12:44 | #38 | |
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I know that's sort of a no shit statement, but I don't like disliking someone's post without saying something. I feel dirty afterwards >.> |
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11 Nov 2012, 13:10 | #39 | |
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Don't get sick .. just don't even try to justify a philosophy and practice that's morally indefensible. The things you prefer to spend money on are the things you can't get away with stealing? All those involved in getting new music to the point where we can listen to it are entitled to receive their share. It's their living, so they can make choices on what they do and buy. If everyone took your stance what would the concerts and shows you prefer to spend your money on cost I wonder. Oh .. perhaps you'd wait and rip them from YT ... |
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11 Nov 2012, 19:27 | #40 | |
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And I don't think you should be questioning anyone else's morals when it comes to the theft of intellectual property... Last edited by TheDoode; 11 Nov 2012 at 19:36. |
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11 Nov 2012, 19:28 | #41 |
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Noteworthy you quote and reply to me and not to Bobbin or My Happy ....
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11 Nov 2012, 19:34 | #42 |
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Your post was the first one that I read when I logged in. I don't have anything personal against you Caryl, and I've tried on numerous occasions to engage with you in a civil way. If you have a problem with that, PM me, and we'll talk and keep the thread clean at the same time.
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11 Nov 2012, 19:41 | #43 |
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Thank you, but as I've said before, not again.
I simply posted my opinion, just as others did in the immediate posts before mine I don't doubt that Evil Ernie's opinion is that he has a right to not pay for music because he doesn't want to. Like others, mine is that because it may be possible, it's not morally right. Just our view. And I explained why it was mine. I thought it was OK to say to him don't get sick .. who would want him to be that? |
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11 Nov 2012, 19:47 | #44 |
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And then made the assumption that he would just 'rip' a concert from Youtube... rather than just watch it. It was the tone of your comment, really. For the sake of clarity Carly, do you believe it to be morally reprehensible to take a piece of intellectual property and use it without it being condoned by the owner or creator of the work?
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11 Nov 2012, 23:56 | #45 |
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The topic of the debate thread and peoples views there should stay there, if it doesn't the whole board will be taken up with it.
Please keep to the thread topic |
12 Nov 2012, 01:19 | #46 |
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I didn't assume, I said "perhaps". My understanding is that the topic here is about downloading music free as opposed to purchasing it, thus enabling those involved in its production to make their living. To deprive an artist of their living by taking a painting or sculpture rather than paying for it would be in my view wrong, yes. I am not going to play any off topic game of debating intellectual copyright and the sometimes dubious claims to own it.
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12 Nov 2012, 04:39 | #47 |
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Go to work this week ... come Friday and your boss says, no pay this week... I decided just to use you for the work and maybe I'll do the same next week ... You'd demand pay or quit ... Imagine if all musicians did the same... QUIT... NO MORE MUSIC... FREE OR OTHERWISE ... yeah ...
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12 Nov 2012, 07:23 | #48 | |||
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If it gets to the point where I can get concert tickets and tshirts for free, I'll do that too. If it gets to the point where it's almost impossible for a musician (such as myself) to make money at what they do, than I'm all for it. You shouldn't do art for financial gain anyway. Anything you get should be a mere residual of doing your art. Whether it's fame or money. The true reward should be touching people, so whether somebody 'steals' music by downloading it is irrelevant. Enough people will pay for products for you to make you money back, because in order to make it 'free' somebody has to make a purchase and not everyone is going to download the same torrent. In a way the less an artist makes the better, because a) they do it for the art alone and don't worry as much about how marketable it is, b) A suffering artist tends to make better art. Did it stop Van Gogh? did it stop JS Bach? No, it only made them better because they did it for themselves as an artist. They never thought "Oh, I need to make this part catchy so I can sell more copies of my sheet music." If you really think about it, it's ridiculous that a famous musician or actor makes 50 times more money than the average person, yet their job is less stressful (I don't care what anybody says) and they get to do their art for a living. I understand the reasons, but if they lose money I have absolutely no pity. The notion that if we don't pay for music the quality and quantity will go down is absolute trite nonsense. Even though the shit marketed to the masses kind of sucks, good music is still out there. You just have to seek it out and not listen to the outlets that the corporate masters have created to market the stuff that is scientifically designed to appeal to the wide, easy to please masses. The internet sets you free in your mind, your enlightenment and your wallet. Quote:
It appears that the people involved in the industry are still making music and making money. These days it is extremely cheap to record anything. It makes 'Bleach' by Nirvana @ $600 seem like a ripoff. Money is there to be made. They need to be more creative and THEY ARE. The music industry may scream up and down about downloading, but they have experts that tell them how to market and sell their product in the 2000's. It may not be what it was, but the industry is still making tons of money. You also cannot duplicate the experience of a concert by watching YouTube. So don't even try that. If somebody is not making enough money by making music than they should get a second job. In fact that's what most musicians do. I'm supposed to have sympathy because the lucky rich ones are losing money and have to move from a 29 bedroom house to a 17 bedroom house? Gimme a break. Last edited by Evil Ernie; 12 Nov 2012 at 07:41. |
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12 Nov 2012, 07:30 | #49 | |
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What recourse do the people I'm downloading off have? Not a damn thing. Making art is not work. Sorry to be blunt about it, but it's a very weak and far reaching example. Saying that musicians would quit is like saying a hooker would stop having sex because nobodies paying for it anymore. They would quit playing? And never play any shows? Or put anything on youtube? Or create something on Garageband and distribute it in the internet to see how people like it? Just because they're not being paid? Sure. In fact many will operate AT A LOSS because they love it so much.... like me. Last edited by Evil Ernie; 12 Nov 2012 at 07:38. |
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12 Nov 2012, 07:55 | #50 | ||
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Also, I DO still buy CD's. I only buy slightly less CD's than I did before in the 90's, but I download 10 times thats now. So in other words my music exposure and intake has increased dramatically while only slightly lowering the amount of money that I invest in the music industry. Quote:
You're alright Carly. This made me literally LOL. |
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