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#26 | ||||||||||
Armed ba$tard and Jo's other half.
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![]() It's not the camera phone footage i'm talking about, it's the original promo vids for the singles. I've not looked for a while, but i'm betting I could go to youtube right now and find at least 80% of Meat's promo vids. And I believe that to be a low estimate. I know that they are uploaded without the artists permission (that's perhaps another subject) but they are there so make an alternative to downloading an album (or discography). If that's the review you read, and you trust the reporter, maybe his style isn't for you ![]() It's up to the reader to decide wether to look further into the artist or not. Quote:
![]() Again, they're not official, and i'm not defending the fact they're up there, i'm just saying they make downloading completley unnecersary ![]() Quote:
![]() Also, I think there is something much more special about an official product with a good looking cover and a lyric book than a CD with the name of the album written on with a magic marker. Either way the artist doesn't get money, but the person gets the taste they want without completly taking the piss and they have a good quality product. Quote:
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If I were starving to death and could download "food" yes, I can go with that. If i'm homless and getting soaked in the rain and could download "shelter" (and before someone says something about the homless having access to broadband............ ![]() The people downloading illegally can afford a computer (obviously) so they can afford the album, and if they can't afford the album that week they are not going to have their health and wellbeing at risk. Feeling the need that you need to possess right now illegally rather than maybe wait for a couple of days to own what you can live very comfortably without is more a case of greed and a well developed id. I see why people download, but I don't think it's right just because it's easy. Quote:
![]() But are Meat's songs not available from places where you pay track by track? (I have no idea as when it comes to downloads I am opinionated but not informed ![]() ![]() Quote:
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I'm at a loss to understand how bands can generate revenue by giving their music away for free. Quote:
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#27 | |
Mega Loafer
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I had a friend who had 100's of songs on his PC including bootlegs from various shows. He also had a HUGE draw with pretty much every official release at that time on CD and Vinyl. So I got into him by listening to these songs that he had on his PC. Then years later I bought CHSIB which I absolutely loved, went to a few concerts etc. But I wanted more. I wanted to hear Meats performances from the 70's, 80's, & 90's, at shows that had never been and never would be released for everyone to enjoy. Obviously I had heard some of the stuff from my friends PC but I wanted them for myself. From there it just snowballed, I got the bootlegs of various shows from over the years, then got every single release ever done, plus the DVD's. So while I would agree that in the vast vast VAST majority of cases people will continue to download things illegally, there are exceptions such as myself and Stretch. Last edited by robgomm; 30 Jun 2012 at 19:24. |
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#28 | ||
Armed ba$tard and Jo's other half.
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#29 |
Mega Loafer
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Artists complain an awful lot about losing money to piracy and unofficial video being taken. But would anyone agree with me that one of the things that could be done very easily is to release the board tapes they make at every show?
They could do this so easily as for example Meat has said many times he listens to the tapes after every show of his. When an artist does a show, if they made the board tape of the show available at say £5 for each show that would net them quite a bit of money. And it would negate the need for people to video and record the show and we wouldn't get the poor quality stuff being uploaded to youtube. It could even reinvigorate the music industry as a whole to some extent. Just an idea? |
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#30 |
Mega Loafer
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#31 | |||
Armed ba$tard and Jo's other half.
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![]() Did he download the albums on his computer from the internet, or did he upload his original CDs? (even with my limited knowlege on the subject, i'd say the second was more likely). Even if he did download them, if he hadn't downloaded them I think it's safe to assume he would have uploaded the CDs to his computer, yes? So even without an illegal download you would have heard Meat's albums on your friends computer, without the downloads you would have become a fan, so that leads me to think that downloads have had no effect on you discovering Meat whatsoever (feel free to correct me here). Quote:
If you bought all Meat's official releases since hearing (officially sourced) albums on your friends computer then you have discovered an artist through legitimate and legal copies of his work, and have proceeded to legally buy the rest of his available discography. Downloads don't enter the equasion. If you have downloaded all Meat's albums yourself, you have discovered Meat through legitimate releases on your friends computer then decided to rip them off the internet rather than buy them (which would rather prove my point). Quote:
Until you correct me about how i've understood what you've wrote, they look like completley different cases. Last edited by The Flying Mouse; 30 Jun 2012 at 20:03. |
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#32 | |
Armed ba$tard and Jo's other half.
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![]() (I can say that because I posted something very much the same on a convo many moons ago ![]() The benefits (IMO) are, as you say, less bootlegs and amateur footage on camera phones and Meat would make a pretty pennt from it. Also the fans get what they want, including official releases of concerts you yourself attended. That would be pretty great. Everyone would be happy. But this is more on bootleging stuff that is not available elsewhere, while I believe the convo is more inclined towards the illegal downloading of officially released albums ![]() |
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#33 | |||
Mega Loafer
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"Article 16b. — It shall not be deemed to be an infringement of the copyright in a literary, scientific or artistic work to reproduce it in a limited number of copies for the sole purpose of the personal practice, study or use of the person who makes the copies or orders the copies to be made exclusively for himself. Where the work is one of those referred to in Article 10, first paragraph, under (i), including the score or parts of a musical work, the reproduction shall furthermore be confined to a small portion of the work, except in the case of: (a) works of which, in all probability, no new copies are made available to third parties for payment of any kind; (b) short articles, news items or other texts which have appeared in a daily or weekly newspaper or weekly or other periodical. " In other words, you cannot download a whole song or album UNLESS it is no longer commercially available and is not likely to be again in future. |
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#34 | |
Spirit in the Night
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I think selling copies of shows is a fantastic idea, and many artists already do this. However, some artists are a bit reluctant to release "raw" recordings that they haven't had a chance to listen to or have any "quality control" over. The answer in that case might be to release only select shows, but even that would require some work on the part of the artist and their team, and I'm not sure the profits would be all that substantial. Sure, there are diehards who would buy all or most shows, but I think most people might buy only the show they saw as a souvenir. It might curb bootlegging a little, but I don't think it will ever go away completely. I do agree though, that people will continue to download pirated official material. I think that, especially to young people today, it's "the norm"- they don't know any other way. That's not to say I'm defending it. Unfortunately, I think artists do need to adapt to survive- it's just the way it is. |
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#35 | ||
Guest
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Equating filesharing with theft is understandable from the the old perspective, but to a whole generation, it's the way the world works now. That's the reality of it. Complaining about it isn't going to change things, and sueing music fans for it doesn't seem to do the trick either. I strongly believe that there is a need for innovation in the entertainment industry. Quote:
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#36 | |
Spirit in the Night
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http://www.youtube.com/watch?v=_QhuBIkPXn0 I haven't thought of it in years, but I didn't see it as an attempt to sound "hip". All in your perspective, I guess. ![]() Last edited by Julie in the rv mirror; 01 Jul 2012 at 02:01. Reason: Grammar |
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#37 |
Super Loafer
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ML is shortsighted. If it wasn't for file sharing half of his fans wouldn't be his fans.
But whatever, some people like to use over simplistic analogies. Or are trapped in the past. Or both. |
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#38 |
Himself
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I really liked this thread !!!
It is a tough topic !! An artist should earn for his work the same way a plumbler does. M |
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#39 |
Mega Loafer
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#40 |
Relentless
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#41 | |
Mega Loafer
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Caryl |
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#42 |
Mega Loafer
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#43 |
Mega Loafer
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in my head the plumber reference is much more applicable to the touring end of the music business rather than the recording end. When a performer tours or a theatre company puts on a show, they have to be there to earn their money... if they put on a good show, they'll get repeat business etc (much like a plumber)
the recording end of the business i see more as an engineer or an inventor lol. its more about intellectual property, for the recording artist, the work is done once behind the scenes, and the product is produced... for an engineer, it's like have a great new idea, and getting a patent on it. the work is done once, but the royalties could come rolling in for years luckily enough, i have no idea what i'm talking about, and just thinking out loud lol for the record, i dont do downloads, i prefer to support the artist and purchase their albums (but i'm very old school ![]() |
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#45 |
Mega Loafer
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or to stick a modern twist on it, would it be like a performer investing money in a server thingy to release a cloud storage platform thingy... and some people paying to use the storage, and many many others just stealing the storage????
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#46 | |
Mega Loafer
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#47 | |
Biggles
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#48 | |
Armed ba$tard and Jo's other half.
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#49 |
Mega Loafer
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ooops... as usual ... one of my appendages caught in the door ... hahaha ... I'll never learn ... lol ...
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#50 |
Mega Loafer
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